Bibliografia i DOI
Numer DOI: 10.18318/978-83-67957-03-8.1.1
ACDH-CH. Toma Tasovac. 2023. Digital Humanities & the (unsurprising?) Tenacity of the Print Mind.
Barabucci Gioele, Fischer Franz, The formalization of textual criticism Bridging the gap between automated collation and edited critical texts, w: ADVANCES IN DIGITAL SCHOLARLY EDITING Papers presented at the DiXiT conferences in The Hague, Cologne, and Antwerp, 2017
Baillot Anne, Busch Anna, Editing for Man and Machine. Digital Scholarly Editions and Their Users, „Variants. The Journal of the European Society for Textual Scholarship”, nr 15–16 (lipiec 2021), s. 175–87.
Biasi Pierre-Marc de, Prussak Maria, Kwiatek Filip, Genetyka tekstów, Filologia XXI 5, Warszawa 2015.
Bleeker Elli, Modelling Process and the Process of Modelling: The Genesis of a Modern Literary Text, w: ADVANCES IN DIGITAL SCHOLARLY EDITING Papers Presented at the DiXiT Conferences in The Hague, Cologne, and Antwerp, 2017
Bleier Roman, Bürgemeister Martina, Klug Helmut W., Neuber Frederike, Schneider Gerlinde (red.), Digital Scholarly Editions as Interfaces, T. 12. Norderstedt: BoD2018.
Blondel Christine, Segala Marco, 2017. „Towards open, multi-source, and multi-authors digital scholarly editions The Ampère platform”. W ADVANCES IN DIGITAL SCHOLARLY EDITING Papers Presented at the DiXiT Conferences in The Hague, Cologne, and Antwerp. https://www.sidestone.com/books/advances-in-digital-scholarly-editing.
Bryant John, Płynny tekst: teoria zmienności tekstów i edytorstwa w dobie książki i ekranu, przeł. Łukasz Cybulski, Filologia XXI 13, Warszawa 2020.
Cummings James, Beshero-Bondar Elisa, It’s Alive! The Frankenstein Variorum and Adventures in Machine-Assisted Collation, ATNU Virtual Speaker Series, 2022.
Cummings James, The Present and Future of Encoding Text(s), w: The Bloomsbury Handbook to the Digital Humanities, red. James O’Sullivan, Bloomsbury Publishing Plc. 2023, s. 147–58.
Cunningham Richard, Theorizing a Digital Scholarly Edition of Paradise Lost, w: Advances in Digital Scholarly Editing: Papers Presented at the Dixit Conferences in the Hague, Cologne, and Antwerp, 2017.
Cybulski Łukasz, Krytyka tekstu na rozdrożach: anglo-amerykańska teoria edytorstwa naukowego w drugiej połowie XX w., Filologia XXI 10, Warszawa 2017.
De Keyser Tom, Neyt Vincent, Nixon Mark, Van HulleDirk, The digital libraries of James Joyce and Samuel Beckett, w: In Advances in Digital Scholarly Editing: Papers Presented at the Dixit Conferences in the Hague, Cologne, and Antwerp, 2017.
Del Turco Roberto Rosselli, After the Editing Is Done: Designing a Graphic User Interface for Digital Editions, „Digital Medievalist” 7 (0) 2012.
„Dramat polski. Reaktywacja/kontynuacja”, nr 11H 17 0139 85, kierownik: Jacek Kopciński, IBL PAN
Dumont Stefan, Grabsch Sascha, Müller-Laackman Jonas, Sander Ruth, Sobkowski Steven (red.), correspSearch – Connect Scholarly Editions of Correspondence (2.2.0) [Webservice]. Berlin-Brandenburg Academy of Sciences and Humanities 2022.
Fischer Frank, Börner Ingo, Göbel Mathias, Hechtl Angelika, Kittel Christopher, Milling Carsten, Trilcke Peer, Programmable Corpora: Introducing DraCor, an Infrastructure for the Research on European Drama, Utrecht 2019.
Institute for Documentology and Scholarly Editing, Criteria for Reviewing Digital Editions and Resources, RIDE – A review journal for digital editions and resources 2014.
Jansen Leo, Digital editions of artists’ writings First Van Gogh, then Mondrian, w: Advances in Digital Scholarly Editing: Papers Presented at the Dixit Conferences in the Hague, Cologne, and Antwerp, 2017.
Kjeldsen Alex Speed, Reproducible editions, w: Advances in Digital Scholarly Editing: Papers Presented at the Dixit Conferences in the Hague, Cologne, and Antwerp, 2017.
Martinez Merisa, Critical Approaches to ‘Clerical’ Work: Textual Transmission in Two Swedish Digital Resources, LIBER Quarterly 29 (1) 2019.
Maryl Maciej, Błaszczyńska Marta, Szulińska Agnieszka, Buchner Anna, Wciślik Piotr, Melinščak Zlodi Iva, Stojanovski Jadranka et. al., OPERAS-P Deliverable D6.5: Report on the Future of Scholarly Writing in SSH, kwiecień 2021.
McGann Jerome J., A Critique of Modern Textual Criticism, Foreword David C Greetham, Charlottesville 1983.
McGann Jerome J. (red.), The Complete Writings and Pictures of Dante Gabriel Rossetti, 2000.
LexiconSE. A Lexicon for Scholarly Editing, 2012.
Ohge Christopher, Re-Experiencing Composition: Meditations on Digital Scholarly Editing at the “Melville Electronic Library”, „Sztuka Edycji. Studia Tekstologiczne i Edytorskie” 23 (1) 2023, s. 15–27.
Orlandi Tito, Informatica Testuale: Teoria e Prassi, 2010.
Pierazzo Elena, Driscoll Matthew James, Introduction: Old Wine in New Bottles?, w: Digital Scholarly Editing: Theories and Practices, Open Book Publishers 2016.
Pierazzo Elena, What Future for Digital Scholarly Editions? From Haute Couture to Prêt-à-Porter, „International Journal of Digital Humanities” 1 (2) 2019, s. 209–220.
Sahle Patrick, What Is a Scholarly Digital Edition?, w: Digital Scholarly Editing: Theories and Practices, red. Matthew James Driscoll, Elena Pierazzo, Open Book Publishers 2016.
Skolimowska Anna, Turska Magdalena, Jasińska-Zdun Katarzyna et al., CORPUS of Ioannes Dantiscus’ Texts & Correspondence, first published 2010-07-01.
Skolimowska Anna, Turska Magdalena, Długie trwanie edycji cyfrowej. Przypadek «Korpusu Tekstów i Korespondencji Jana Dantyszka», „Sztuka Edycji. Studia Tekstologiczne i Edytorskie” 23 (1) 2023: s. 7–13.
Spadini E., Barabucci Gioele, Turska Magdalena, Data vs. Presentation. What Is the Core of a Scholarly Digital Edition?, w: Advances in Digital Scholarly Editing: Papers Presented at the DiXiT Conferences in The Hague, Cologne, and Antwerp 2017. „Data vs. Presentation. What Is the Core of a Scholarly Digital Edition?” Advances in Digital Scholarly Editing: Papers Presented at the DiXiT Conferences in The Hague, Cologne, and Antwerp.
Szleszyński Bartłomiej, Szulińska Agnieszka, Błaszczyńska Marta, Predicting the future of Digital Scholarly Editions in the context of FAIR data principles, w: Twenty-First Century Editing and Publishing, red. James O’Sullivan [złożona do druku] 2022.
Szleszyński Bartłomiej, Krajobraz naukowego edytorstwa cyfrowego – możliwości i wyzwania, „Sztuka Edycji. Studia Tekstologiczne i Edytorskie” 23 (1) 2023, s. 85–101.
Szulińska Agnieszka, Pomiędzy światami. Anotacja semantyczna w naukowej edycji cyfrowej, „Sztuka Edycji. Studia Tekstologiczne i Edytorskie” 23 (1) 2023, s. 121–131.
